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Dilate

by

Ani DiFranco

 
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Dilate

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Avg: 4.5 (71 ratings)

The sharp-tongued, fearlessly candid alt-folk legend still cuts deep

  • We Say...

    In truth, the legend of Ani DiFranco was writ about a minute-and-a-half into "Untouchable Face," with a tart, timeless, two-word kiss-off to an unreachable lover. When she's at her finest, this is what Ani accomplishes: unfiltered and unapologetic emotional candor and a whisper that disguises sharp teeth. All of that got lost in the hubbub about punk-folk and angry-chick chic that followed Dilate's 1996 release. It wasn't about the meaning anymore, it was about the methodology: She uses acoustic guitars and samples! It's supposed to be folk music, but she plays guitar like it's 1977! And for whatever regrettable trends DiFranco may have unwittingly spawned — chief among them, a brief resurgence in spoken-word poetry — all of what made her so remarkable in the first place is still here, some decade-plus on.

    Some of it hasn't held up well; that samples 'n' acoustic number, "Outta Me, On to You," for example, is a clear product of the mid '90s. But much of the rest of Dilate still cuts deep: the acoustic guitar fluttering in the background of the title track, the anti-corporate bile bubbling around the edges of "Napoleon," the razor-wire guitar wrapped around "Shameless." Most of Dilate is big and brittle, DiFranco's clipped playing serving as a perfect complement to her raw-nerve lyrics and stuttering delivery. She also turns in moments of unexpected beauty. Album-closer "Joyful Girl" arrives like a prayer, calm and slow and lilting, as DiFranco delivers verses that could serve as her mission statement: "I do it for the joy it brings, because I am a joyful girl/ I do it because it's the least I can do/ I do it just because I want to."

  • They Say...

    Ani DiFranco doesn't really expand her sonic palette on Dilate, but she doesn't need to. DiFranco racked up a dedicated cult audience on the basis of her conviction. There's not much melody on any of her songs, but there are messages and, thankfully, a fair share of humor. Dilate suffers from a bit too much repetition, but when DiFranco lands on a good hook -- such as "Superhero" or "Done Wrong" -- the results suggest that she could reach a wider audience.

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